Solid State Logic 4000
G-Series 56/72 – Total Recall – VU-Metering
Apple G5-OSXSolid State Logic 4000
G-Series 56/72 - Total Recall - VU-Metering
Apple G5-OSX
Pro Tools HD2 32 I/O
Emagic Logic Pro
Otari MTR 90 II
Panasonic 3800 Dat-Recorder
AEG M20 TC - Dolby SR/A
Quested Q 215 modified, dbx Speaker-Management-System,
KRK V8, KRK V12, Genelec 1030A, Yamaha NS10S, Auratone
Yamaha Amps
Lexicon 480 L, Quantec QRS/L, Klark Teknik DN 780,
Lexicon PCM 60, Lexicon PCM 70, Yamaha Rev7,
Alesis Midiverb II, EMT 240 Goldfolie, AKG BX 20,
Roland & Korg Delays
Urei 1176 (3), Urei LA4 (2), Eventide Omnipressor, dbx 160 (2),
Eventide H3000 SE Harmonizer, Eventide H910 Harmonizer,
Eventide FL201 Instant Flanger, Urei/Universal Audio 565 Filter-Set,
Urei 527A Graphic Equalizer (2), Drawmer DS201 Dual Gate (3),
SPL Transient Designer, SPL De-esser, Roland SDF-325 Flanger,
MXR Digital Delay, MXR Flanger/Doubler, Aphex Dominator II,
Aphex Aural Exciter C, Klark DN 60 Real Time Spectrum Analyzer
Neumann: U87 (6), U89, U47 (3), KM84 (5), KM 86i, SM69 Stereo,
Sennheiser: 441-U (3), Profipower (2), MKH 416P/48 (2), MKH 816P/48,
AKG: C452 (2), 414 c (2), D12 (2)
Shure: SM57 (6), SM58 (2), Beta 56 (4), Fahrradlampe
Electrovoice: 1777 (2), Yamaha Sub-Kick, a.o.
BSS active DI-Boxes, Jensen, Sescom, Palmer passive DI-Boxes
Radial SGI RX Studio Guitar Interface
24 Channels Dolby MT-Serie SR/A
Acoustic/Design: Tom Hidley - modified
Controlroom: 42 sqm, daylight
Machineroom: 14 sqm
Recordingroom: 120 sqm, 3 boothes, windows
Variable Acoustic - wooden floor
Livingroom with Pool-Billard, AV, Soccer etc.
Kitchen, Catering / Cook on request
Hammond B3 / Leslie (147), Fender Rhodes Mark I
Pro Tools HD2 32 I/O
Emagic Logic Pro
Otari MTR 90 II
Panasonic 3800 Dat-Recorder
AEG M20 TC – Dolby SR/A
Quested Q 215 modified, dbx Speaker-Management-System,
KRK V8, KRK V12, Genelec 1030A, Yamaha NS10S, Auratone
Yamaha Amps
Lexicon 480 L, Quantec QRS/L, Klark Teknik DN 780,
Lexicon PCM 60, Lexicon PCM 70, Yamaha Rev7,
Alesis Midiverb II, EMT 240 Goldfolie, AKG BX 20,
Roland & Korg Delays
Urei 1176 (3), Urei LA4 (2), Eventide Omnipressor, dbx 160 (2),
Eventide H3000 SE Harmonizer, Eventide H910 Harmonizer,
Eventide FL201 Instant Flanger, Urei/Universal Audio 565 Filter-Set,
Urei 527A Graphic Equalizer (2), Drawmer DS201 Dual Gate (3),
SPL Transient Designer, SPL De-esser, Roland SDF-325 Flanger,
MXR Digital Delay, MXR Flanger/Doubler, Aphex Dominator II,
Aphex Aural Exciter C, Klark DN 60 Real Time Spectrum Analyzer
Neumann: U87 (6), U89, U47 (3), KM84 (5), KM 86i, SM69 Stereo,
Sennheiser: 441-U (3), Profipower (2), MKH 416P/48 (2), MKH 816P/48,
AKG: C452 (2), 414 c (2), D12 (2)
Shure: SM57 (6), SM58 (2), Beta 56 (4), Fahrradlampe
Electrovoice: 1777 (2), Yamaha Sub-Kick, a.o.
BSS active DI-Boxes, Jensen, Sescom, Palmer passive DI-Boxes
Radial SGI RX Studio Guitar Interface
24 Channels Dolby MT-Serie SR/A
Acoustic/Design: Tom Hidley – modified
Controlroom: 42 sqm, daylight
Machineroom: 14 sqm
Recordingroom: 120 sqm, 3 boothes, windows
Variable Acoustic – wooden floor
Livingroom with Pool-Billard, AV, Soccer etc.
Kitchen, Catering / Cook on request
Hammond B3 / Leslie (147), Fender Rhodes Mark I